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	<title>Comments on: CLASSIC REVIEW: The work of Stanley Kubrick</title>
	<atom:link href="http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/feed/" rel="self" type="application/rss+xml" />
	<link>http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/</link>
	<description>A fat dude from Atlanta writes about movies. How novel, right?</description>
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		<title>By: Cribbster</title>
		<link>http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/#comment-1419</link>
		<dc:creator><![CDATA[Cribbster]]></dc:creator>
		<pubDate>Wed, 02 May 2012 09:33:13 +0000</pubDate>
		<guid isPermaLink="false">http://cribbster.wordpress.com/?p=1661#comment-1419</guid>
		<description><![CDATA[Hi, eggbert. You sound like you&#039;re from London!]]></description>
		<content:encoded><![CDATA[<p>Hi, eggbert. You sound like you&#8217;re from London!</p>
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		<title>By: eggbert</title>
		<link>http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/#comment-1416</link>
		<dc:creator><![CDATA[eggbert]]></dc:creator>
		<pubDate>Mon, 30 Apr 2012 17:49:25 +0000</pubDate>
		<guid isPermaLink="false">http://cribbster.wordpress.com/?p=1661#comment-1416</guid>
		<description><![CDATA[Well done, this is absolute fucking bollocks. 
You sound like as much of a massive gay as Andrew Sarris. Congratulations, the universe hates you.]]></description>
		<content:encoded><![CDATA[<p>Well done, this is absolute fucking bollocks.<br />
You sound like as much of a massive gay as Andrew Sarris. Congratulations, the universe hates you.</p>
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		<title>By: Jack Bess</title>
		<link>http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/#comment-358</link>
		<dc:creator><![CDATA[Jack Bess]]></dc:creator>
		<pubDate>Tue, 06 Oct 2009 14:33:25 +0000</pubDate>
		<guid isPermaLink="false">http://cribbster.wordpress.com/?p=1661#comment-358</guid>
		<description><![CDATA[Thanks for linking to the article, Cribbster.  I printed it out and read it last night and thought it said a lot of good stuff about Sarris.  I was thrilled when, a couple years ago, I sent Sarris a fan email along with a question about the version of Starngers on a Train that Turner Classic Movies has been showing. That version has a final scene that differs from the one that has been on TV and in revival houses since my youth and I thought that Sarris, as a longtime Hitchcockian, would know why the alternate scene existed. As it happens, he did not, but he printed my email in his New York Observer column, which was a real treat for me. 

Thanx again for posting the Film Comment link.]]></description>
		<content:encoded><![CDATA[<p>Thanks for linking to the article, Cribbster.  I printed it out and read it last night and thought it said a lot of good stuff about Sarris.  I was thrilled when, a couple years ago, I sent Sarris a fan email along with a question about the version of Starngers on a Train that Turner Classic Movies has been showing. That version has a final scene that differs from the one that has been on TV and in revival houses since my youth and I thought that Sarris, as a longtime Hitchcockian, would know why the alternate scene existed. As it happens, he did not, but he printed my email in his New York Observer column, which was a real treat for me. </p>
<p>Thanx again for posting the Film Comment link.</p>
]]></content:encoded>
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	<item>
		<title>By: Cribbster</title>
		<link>http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/#comment-355</link>
		<dc:creator><![CDATA[Cribbster]]></dc:creator>
		<pubDate>Mon, 05 Oct 2009 20:59:06 +0000</pubDate>
		<guid isPermaLink="false">http://cribbster.wordpress.com/?p=1661#comment-355</guid>
		<description><![CDATA[Yes, Mr. Bess, as it turns out, I was adding a note about that at the bottom of the post at the exact time you were posting your comment. I encourage you to read the Film Comment feature if you haven&#039;t already.]]></description>
		<content:encoded><![CDATA[<p>Yes, Mr. Bess, as it turns out, I was adding a note about that at the bottom of the post at the exact time you were posting your comment. I encourage you to read the Film Comment feature if you haven&#8217;t already.</p>
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		<title>By: Jack Bess</title>
		<link>http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/#comment-354</link>
		<dc:creator><![CDATA[Jack Bess]]></dc:creator>
		<pubDate>Mon, 05 Oct 2009 20:12:41 +0000</pubDate>
		<guid isPermaLink="false">http://cribbster.wordpress.com/?p=1661#comment-354</guid>
		<description><![CDATA[As a longtime fan of Andrew Sarris, I can say that he has indeed had second thoughts about 2001 and subsequently wrote that he was deeply moved by it, particularly the extinguishing of Hal&#039;s consciousness. Sarris did pan Clockwork Orange but named Barry Lyndon one of the best films of its year. I&#039;m not sure where he came down on Kubrick&#039;s subsequent films. 

Sarris&#039; American Cinema is an invaluable reference but is in tremendous need of an updated edition. I almost wish it would go out of print and force him to revise the damn thing since Sarris has changed his view on a number of things.  He has frequently issued mea culpas on putting Billy Wilder in the Less Than Meets the Eye category (and said so to Wilder in person) and has written that he would today place Wilder in or near his personal Pantheon. I think his view of Kubrick has also been upgraded. (Some of his revised opinions appear in the book You Ain&#039;t Heard Nothing Yet, though Kubrick falls outside that book&#039;s chronological scope.) 

But this is what I really appreciate about Sarris -- his acknowledgment that his views change over time.  He&#039;s always argued against critics treating their opinions as holy writ.  The categories created for that book was a way of beginning to assess the massive amount of movies produced in Hollywood and determining who the most interesting directors were -- it was a project begun in the early 1960s, at a time when film literacy was in its infancy and there was a need to make connections in directors&#039; filmographies, so you could begin to understand, say, what makes a John Ford western different from an Anthony Mann western or a Howard Hawks western.  For all of his pronouncements and categories, though, Sarris encourages readers to go see any and all movies for themselves and not take his review as the definitive word.]]></description>
		<content:encoded><![CDATA[<p>As a longtime fan of Andrew Sarris, I can say that he has indeed had second thoughts about 2001 and subsequently wrote that he was deeply moved by it, particularly the extinguishing of Hal&#8217;s consciousness. Sarris did pan Clockwork Orange but named Barry Lyndon one of the best films of its year. I&#8217;m not sure where he came down on Kubrick&#8217;s subsequent films. </p>
<p>Sarris&#8217; American Cinema is an invaluable reference but is in tremendous need of an updated edition. I almost wish it would go out of print and force him to revise the damn thing since Sarris has changed his view on a number of things.  He has frequently issued mea culpas on putting Billy Wilder in the Less Than Meets the Eye category (and said so to Wilder in person) and has written that he would today place Wilder in or near his personal Pantheon. I think his view of Kubrick has also been upgraded. (Some of his revised opinions appear in the book You Ain&#8217;t Heard Nothing Yet, though Kubrick falls outside that book&#8217;s chronological scope.) </p>
<p>But this is what I really appreciate about Sarris &#8212; his acknowledgment that his views change over time.  He&#8217;s always argued against critics treating their opinions as holy writ.  The categories created for that book was a way of beginning to assess the massive amount of movies produced in Hollywood and determining who the most interesting directors were &#8212; it was a project begun in the early 1960s, at a time when film literacy was in its infancy and there was a need to make connections in directors&#8217; filmographies, so you could begin to understand, say, what makes a John Ford western different from an Anthony Mann western or a Howard Hawks western.  For all of his pronouncements and categories, though, Sarris encourages readers to go see any and all movies for themselves and not take his review as the definitive word.</p>
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		<title>By: Eugene</title>
		<link>http://cribbster.wordpress.com/2009/10/04/classic-review-the-work-of-stanley-kubrick/#comment-353</link>
		<dc:creator><![CDATA[Eugene]]></dc:creator>
		<pubDate>Mon, 05 Oct 2009 15:54:39 +0000</pubDate>
		<guid isPermaLink="false">http://cribbster.wordpress.com/?p=1661#comment-353</guid>
		<description><![CDATA[&quot;...Kubrick spent five years and ten million dollars on a science fiction project so devoid of life and feeling as to render a computer called Hal the most sympathetic character in a jumbled scenario...&quot;

I think Mr. Sarris is sort of missing the point here, like, completely.]]></description>
		<content:encoded><![CDATA[<p>&#8220;&#8230;Kubrick spent five years and ten million dollars on a science fiction project so devoid of life and feeling as to render a computer called Hal the most sympathetic character in a jumbled scenario&#8230;&#8221;</p>
<p>I think Mr. Sarris is sort of missing the point here, like, completely.</p>
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